The Plastic Chairs by Charles and Ray Eames are among the most important designs in the history of furniture. Following their initial presentation at the 'Low Cost Furniture Design' competition organised by the Museum of Modern Art in 1948, the chairs were launched on the market in 1950 in an armchair version (A-shell) and as a simpler side chair (S-shell) – making them the first ever mass-produced chairs made of plastic.

Cara is the living room armchair which combines the rigour of classic lines and the comfort of the seat, characterised by the large, high cushion which offers maximum comfort. 

Designed by Morten Gøttler in 1997, the MG501 Cuba Chair captures contemporary design with its ideal balance of form and function, and nods to previous masters who experimented with elevating the folding chair concept.

It was while working on a concept for a hotel in Marrakech that the designer had the idea for this model, inspired by the traditional Moroccan footstool. The hotel was not completed, but we were captivated by the oriental charm of this piece, filled with ''zenitude'', comfort and wellbeing. Noé Duchaufour-Lawrance, through his work with quilting and color, brought the creative 'added value' which has rooted this model in modernity.

The Cité armchair is an early masterpiece by the French designer and engineer Jean Prouvé. Originally designed to furnish the student residence halls at the Cité Universitaire in Nancy, Prouvé also used this comfortable, expansive armchair with powder-coated steel runners and leather belt armrests in the living room of his own home.

Offering perfect comfort, the Pukka collection is a little marvel of design, which finds its roots in the great C&B period when Gaetano Pesce presented his UP50 collection in 1969. The latter had created a collection which paid homage to the sponge, affirming that he had been fascinated by a sponge in his shower and the way in which it always sprang back into its original shape. Yabu & Pushelberg thus take up this theme, adding a feminine design, soft and organic, which fills the space with sensual comfort. The detail of the stitching, the use of ultra-flexible foams and the tension of its lines obliged us to strive for a perfect piece of upholstery. This was only possible with the use of our very stretchiest fabrics: the new Gentle fabric, in particular, which is a 100 % wool stretch velvet, clothes it perfectly.

Bold is made using a combination of mechanical and hand-spun yarns resulting in a thick, warm and expressive rug. Bulky and irregular in character, it is the epitome of tactility, a quality that Hella believes to be ‘the most important and best known characteristic of a rug’. Bold is woven by skilled weavers from India using yarn that has been dyed after it is twisted. This produces an interesting effect as the dye does not penetrate completely to the yarn’s core.With its sober colouring and simple but distinctive asymmetric design, Bold can make a statement in a space helping to structure it and aid in the placement of furniture.

The Outline Sofa adds new perspectives to the classic Scandinavian design sofas of the 1960's, marrying the ideals of simplicity and function into one. With the design taking its name from its strong outline of a sofa, the Outline Series is clean and elegant on the outside with a deep seat and soft cushioning on its inside. The Outline Series has an expression that is at once elegant yet timeless, elevated by its lines referencing architectural shapes alongside its curved armrests.

The Perron Pillo Sofa by Willo Perron translates the designer’s distinct perspective to an unexpected form—seemingly, a stack of oversized pillows—that offers unforgettable comfort.